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“To make the setups easy to repeat in most studios, we used three Hensel Integra 500 monolights. At both sides of the model we placed light absorbing panels . The model wearing a black leather jacket, was illuminated with a narrow beam of light so that the background appears to be completely black. To get a more directed light beam in the middle, we also attached a metal grid.
At both sides of the model, we used two large reflecting panels to fill the sides up with light. For the main light we used the light source with a silver umbrella and an umbrella flood reflector which provide together a quite soft but still brilliant wrap-around light. The background lighting intensity in this setup can easily be controlled by the position of the main light. To create the gradient on the background, we used a monolight equipped with a 12″ reflector and grid. The light spot on the grey background makes the picture more vivid. We used a stripbox as backlight and separated it from the background with a reflector panel to efficently decrease stray light on the background.
Luxury Lighting Direct
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The back light source with a stripbox was placed behind the model at the left and high enough to illuminate the hair, too. “The full-length shot with a pretty tall model required an even illumination from the top to the bottom of the frame. It’s easy to get it if you use the monolight with a long stripbox as the main light. With over 1 million home professionals on Houzz, you’ll easily find the trusted Furniture and Accessory Company for your next project in Houston, TX. The light is spreading from the source in a continuous lightwave, illuminating practically everything on its way.
Additionally, we installed white panels between the monolights and the model. To avoid the influence of stray lights on the background we put white panels between the background and the lighting units. The panels keep unwanted light from the background and redirect it onto the model. The background itself was illuminated by the main light only. As a result, the side light from the background lighting units goes directly to the background, without touching the model. Both the direct light and the reflection from the backside of the panels turned the background completely white without any shadow coming from the model.
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The front of the white panels functioned as fill lights, reflecting the light coming from the main lighting unit. “As the main light we used the lighting unit with a silver umbrella, set a bit to the left from the camera. We set two lighting units equipped with stripboxes on each side and a bit behind the model. The main light comes from the monolight equipped with our favorite tool – the octabox!
“An umbrella is rather rarely used in the studio, while on location it is very popular due to its compact size and prompt readiness to work. “Bright, saturated colors of the model’s clothes are looking perfect in front of an absolutely white background.
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As you can see here, the background is illuminated evenly. We made full-length shots of the model, so we used a 30 х 180 cm stripbox which was set on the left side of the model. Read homeowners reviews before hiring the Furniture and Accessory Company to help with your project in Houston. If you have questions, read other homeowners’ reviews or our discussion forum for a second opinion.
In our case we used a big parabolic umbrella that gave us a light beam which we still could control by moving the umbrella axis. Closer to the reflector results in harder light, moving it further away from the reflector results in softer light. Luxury Lighting Direct is unlike other online lighting stores, we do not offer hundreds of lighting brands for the sake of saying it. To create a fill light in this picture, we added a reflector panel to the right of the model. “For one of the previous images we created an even dark grey background. It turned out to be just enough to get an interesting picture.
When lighting a background to the maximum, there is always the danger that the light reflected from the background will be so powerful that it will fill the whole scene. To avoid these stray lights, you have to determine the right light exposure. To reduce the amount of stray light from the background to a minimum, we used standard reflectors we used standard reflectors.
